installed in the barrels of my clarinets, and i’ve got my sax necks and bassoon bocals drilled out, with threaded adapters soldered on so i can screw those piezo parrel pickups into those as well. needs a fair amount of EQ, but i’ve worked that out and the isolation and feedback suppression is fantastic.
i started with the pickups from TAP in Greece, but now mostly use similar devices from Ertan in Turkey. …they’re so common in the balkan clarinet world, as you know!..
oh, and the big game-changer for me was a couple of years ago, when i moved to wireless (transmitter velcro’d on the horn) – especially with multiple horns on a show, the cable tangles used to get intense! …and it’s really nice to be mobile on stage!.. i use the Boss WL-20L.
here are a couple of pictures, showing the setup on bassoon:
the bassoon bocal installs are a little frightening, because the hole for the mount removes more than half of the tube! …but this is actually still my favourite bocal for acoustic playing, with a plug screwed in…
Ah cool, might try one of those. Would be nice if they fit in the same fitting as my piezobarrels!
Until now I wasn’t too happy with the sound, but that might be because I don’t want to drill into my favourite mouth piece, so I used the cheap ones… So neck might actually be better… Hmm…
And the wireless option is then a nice extension; thanks for the link & pics!
Well… here’s my lethal combo, Ryzen 5800h mini pc, Debian 12 realtime kernel, MOD software compiled and running in docker. Presonus 26c and a custom midi pedal based on PedalinoMini project. I did some “fixes” at the Mod Ui to manage the change of pedalboards via midi while the ui is open. It’s killer. I mainly use Neural Amp Modeler with standard profiles, plus IR cab loader and convolution reverbs.
I’ve been playing around with how I hook it up and currently I’ve settled on using the OC5 to split the signal. Direct goes via the EAE OxEAE Fuzz then to input 1 and the octave signal goes straight to input 2.
There’s a big (almost fully) analog front end before the Dwarf:
KP-1 Comp
DOD Looking Glass
Division Drive (tube overdrive)
Ram’s Head Big Muff Clone (Large Beaver from BYOC)
Jam Pedal Chorus/Phasor Rippley Fall
Thorpy Effect Camoflange
And the BOSS GE-7 for solo boost !
All the noise bits are in the loop of the Noise Reaper noise gate.
The Eventide H90 handles some pitch algorithm, specific FX and sometimes some synth stuff (their polyphonic detection is mind blowing)
Then the signal goes to two tube preamps:
Kingsley Constable (Plexi-ish)
Effectrode Blackbird (Blackface-ish)
And finally it all goes into the Dwarf which runs:
A mixer to blend the two preamps (each one of them goes into a dedicated input)
A convolution for cab sim
And then in parallel : a tape delay, a “digital” delay (can’t remember the name of the plugins right now) and the Mutable Instrument Clouds inside of Cardinal